A visual editor shows you more or less how it will appear when it is published.
Dead Drops in walls – USB drives for public use
Dead drops for sharing data anonymously in public spaces
Diatom 3D Models
Cells are more or less rectangular in girdle view
(side view). Cells are usually elliptical in valve view
(top view). Opposite setae of adjacent cells touch
near their origins. Marine genus, also live in inland
waters of the United States. Centric diatom that
contains a frustrule or cell wall composed of silica
that contain long thin spins also known as setae
Diatom QR Codes
Download the .pdf of this document here
Cine Francisco at the San Francisco Public Library 6/20/19
CINE FRANCISCO 2019
bivoulab recommends reelsf.com as a good ‘all round’ overview of films set in San Francisco with ‘then and now’ comparisons of locations around the city.
Cine Francisco Film Running List
Part I – City of Distraction and Escape
Amateur Camcorder (1986) – Drive on Embarcadero Freeway
The Man Who Cheated Himself (1950)
17 minute point:
Part II – The Toxic City
Invasion of the Body Snatchers (1978)
37:11 minute point:
PART III – The Toxic City Continued…
The House on Telegraph Hill (1951)
Star Trek IV: The Voyage Home (1986)
Invasion of the Body Snatchers (1978)
End 60 min mark
Bullitt car chase route
The Bullitt Chase updated
The Conversation Then and Now
San Francisco in Movies (note NOT a bivoulab compilation)
Julian Assange related links to accompany lecture/demo by David Cox at Other Cinema on 4/20
Wikileaks itself:
Wikileaks at Wikipedia
https://en.wikipedia.org/wiki/WikiLeaks
Underground: The Julian Assange Story
https://en.wikipedia.org/wiki/Underground:_The_Julian_Assange_Story
In 1989, known as ‘Mendax’, Assange and two friends formed a group called the ‘International Subversives’. Using early home computers and defining themselves as ‘white hat hackers’ – those who look but don’t steal – they broke into some of the world’s most powerful and secretive organisations. They were young, brilliant, and in the eyes of the US Government, a major threat to national security.
At the urging of the FBI, the Australian Federal Police set up a special taskforce to catch them. But at a time when most Australian police had never seen a computer, let alone used one, they had to figure out just where to begin.
Risk – Laura Poitras
https://en.wikipedia.org/wiki/Risk_(2016_film)
The Fifth Estate
https://en.wikipedia.org/wiki/The_Fifth_Estate_(film)
Although Julian Assange has described the film as a “massive propaganda
attack”, he did discuss the film with Benedict Cumberbatch, with
Cumberbatch claiming that he’s “personally supportive” of the
organization.
Chomsky: Arrest of Assange Is “Scandalous” and Highlights Shocking
Extraterritorial Reach of U.S
Slavoj Žižek: US establishment desperate to arrest Assange after Manning imprisoned
UK: Assange arrives at court in London
EP.739: Roger Waters-Julian Assange Arrest Proves UK is a SATELLITE STATE OF US EMPIRE!
Jailed for journalism: WikiLeaks editor Hrafnsson on Assange case | The Listening Post
Glenn Greenwald calls Julian Assange’s arrest “a grave threat to press freedoms”
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Demonstration of Readymod Object in Use
Demonstration of a readymod object being 3D scanned, then used as a trigger for AR content – the 3D scanned version of itself.
Scans of Objects from “Collapsing of the Axes”
Bivoulab to present “In Memoriam Futuri” at Other Cinema on 12/1/18
ARCHIVE FEVER2: SCRITTI POLITTI2
DEC.1: 1968+50: PARIS SITUs + MEXICO CITY + SAM GREEN’s CHICAGO DNC
David Cox and Molly Hankwitz, as Bivoulab, retrieve the absolutely essential 20th Century moment that is Paris, May 68 in their In Memorium Futuri, an hour séance/screening on Situationist cinema and its echoes off the Parisian cobblestones. Guy Debord, Michelle Bernstein, Maurice Lemaitre, and their many angry comrades were the catalysts for massive change in the West, largely through their literary and cinematic critiques of the Capitalist “Spectacle” and its destruction of everyday life. A multiplicity of excerpts are deployed in Bivoulab’s provocative talk, that bears on found-footage filmmaking, the urban “drift”, and even the present-day steamrolling of our own beloved City.
ALSO: Elena Pardo’s El Otro Grito (The Other Scream), a 15-min. remembrance of the student massacre at the ’68 Mexico City Olympics. Ralph Diamant’s 16mm The Streets Belong to the People brings the global “Golden Jubilee” back home to the States, with his contemporaneous montage of Chicago street verité, barricade interviews, and a prescient Moog synth track. JUST ADDED: Sam Green pops in with Subterranean Celluloid from Chicago ’68, on his own Weatherman clip of Chicago ’68 footage, brokered through Diamant, Emile de Antonio, and Chris Marker.
AND!: Lynne Sachs sends in a brand new 7-min. condensation of her Investigation of a Flame.
PLUS a march with William Burroughs, Allen Ginsburg, and Jean Genet at that DNC (from Frédéric Moffet), Roger Flint’s Spangled Banner (music by the Grass Roots!), free bread and wine, and red roses.